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Winter 2019 **Print**

Winter 2019 **Print**
Brand: Glass Patterns Quarterly Magazine
Product Code: 0360GPQWI19P
Availability: In Stock
Price: $6.00
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Table of Contents

3-D Winter Icicles
An Introduction to Stained Glass
Design, Fabrication, and Text by Lidia K. Anderson
Three-dimensional hanging icicles created with clear and textured scrap glass. Two of the icicle pieces are attached to each other along their straight sides. The third piece is attached at a right angle, and a jump ring is soldered to the top for hanging. This project was constructed using the copper foil technique.

Scenic Overlook
Design by Mary Harris, Text by Darlene Welch
A 48" x 25" rectangular stained glass landscape featuring a mule deer. The rendering shows a slightly altered sky with a decreased number of pieces compared to the artist’s original design on the pullout pattern section, showing how designs can be customized to suit personal taste. This project was constructed using the copper foil technique.

Sweet Heart
Design, Fabrication, and Text by Leslie Gibbs
Photography by Jon Gibbs
A free-form stained glass panel featuring Light Aquamarine Blue heart surrounded by fluttering hummingbirds. Light green iridescent glass helps to capture the iridescent appearance of the actual birds. Instructions are included for hanging an optional crystal from the panel. This project was constructed using the copper foil technique.

Flying Duck
Design by Jean Beaulieu, Text by Darlene Welch
A 24" x 17 1/2" stained glass wildlife design featuring a mallard duck in flight. The use of wispy and streaky glasses adds a look of realism to the bird’s feathers as well as the background water and landscape. This project was constructed using the copper foil technique.

Glendalough
A Legendary Irish Landscape
Design, Fabrication, and Text by David Kennedy
Photography by Sharon Kennedy
A circular stained glass landscape panel featuring the monastic ruins at Glendalough in Ireland. The green English Muffle glasses used for the foreground foliage add texture. Careful selection of glass grains and colors also adds the feeling of depth and realism to the design. This project was constructed using the copper foil technique.

Funky Frannie
Design, Fabrication, and Text by Pat Chase
Photography by Emily Grant
A free-form stained glass angel panel featuring a flying angel and her bluebird friend The project provides a chance to create with glass from the artist’s scrap collection. Thinner foil is used on all of the inside seams, with wider foil on the outside edges. This project was constructed using the copper foil technique.

Swallowtail
Design by Justin Behnke, Fabrication and Text by Cindy Dow Savary
Photography by Cindy Dow Savary, Gerry L. Savary, and Susan Walker Bowen
A 17 1/2" circular stained glass panel featuring a stunning swallowtail butterfly resting on a floral spray. The use of rough rolled, hammered, and English Muffle glasses adds depth and realism to the design. Tips are also offered for ways to organize work for new projects. This project was constructed using the copper foil technique.

Prairie Style Snowflake
Design, Fabrication, and Text by Chantal Paré
A 15-3/4" x 18-1/8" hexagonal snowflake design created with geometric-shaped cuts of English Muffle, Dew Drop Iridescent, Figure C Textured, and Aerolite glasses. A jig is used as support for construction, and tips are offered for building the snowflake. This project was constructed using the copper foil technique.

Orchids
Design by Terra Parma, Text by Darlene Welch
A 6" x 9 1/4" free-form stained glass panel featuring large orchid blossoms. Texture and variations in color for the flowers’ petals is provided through the use of several shades of purple wispy glass. This project was constructed using the copper foil technique.

16-Page Full-Size Pattern Section

Buzzy Beehive
Design by Paned Expressions Studios, Text by Darlene Welch
An 18" circular stained glass design featuring bees buzzing around their hive. Careful selection and placement of the glass colors, including choosing a darker portion of the green glass under the hive to give the appearance of shadows, add depth and interest to the scene. This project was constructed using the copper foil technique.

Cardinal in a Pine Tree
Design, Demonstration, and Text by Lisa Vogt
An 8" x 10" free-form fused glass panel featuring a bright red cardinal perched on a pine bough. Snowflakes that are pressed out of fiber paper plus white frit provide snowflakes for the blue sky background. The white frit also adds a collection of snow on the pine bough. A firing schedule is included.

Kiln Corner
Simple Thermocouple Repairs
by Arnold Howard
Understanding how a thermocouple works, the part of a digital kiln that serves as the temperature sensor, is an important part of being a fused glass artist. Information on various problems that can cause thermocouples to misread kiln temperatures is provided along with tips for repairing those problems.

Sparkling Snowflake
Design and Fabrication by Alysa Phiel, Text and Photography by Jane McClarren
Geometric-shaped fused glass snowflakes created with Clear and Transparent Blue 96 COE glass. Directions for making two versions—a five-point shape and a more floral-shaped snowflake—are offered. A full-fuse firing schedule is provided.

Sizzle Stix Puzzle Pendant
Design, Fabrication, and Text by Susan McGarry
A quick and easy project for adding small lengths of Rainbow Sizzle Stix in various arrangements to add interest and striking colors to 1 1/2" square glass pendants. After the pendants are fired, bails are glued onto the glass for hanging. A firing schedule is provided.

What’s New
by Darlene Welch
Information on the latest in books and patterns plus new glass and tools for hot, warm, and cold glass artists and hobbyists. This is the perfect place to keep up with the innovations that will make working in glass easier and more enjoyable.

Amaryllis
Design, Fabrication, and Text by Chantal Paré
A 10 5/8" x 24-5/6" fused glass panel featuring several large amaryllis blooms with their stem, leaves, and bulb. The background and borders are enhanced by adding 1" square glass bevels. Stencil black paint is used to add the black design areas. A firing schedule is provided for setting the designs.

Starfish Reactive Tray
Design, Fabrication, and Text by Lisa Stirrett
An 8" x 8" fused and slumped tray created from float glass sheet and frits plus a precut float glass starfish shape. Information on the differences between float glass and art glass are provided as well as tips for determining which side of the float glass is tinned. A firing schedule is provided.

Embossed Glass
Choosing Your Own Drawing to Create Personalized Glass Art
Design, Fabrication, and Text by Dennis Brady
Photography by Jason Brady
A 12" x 12" embossed glass deer head design made from clear and amber 96 COE glass. A stencil of the design is cut from fiber paper, placed between the sheets of glass and fired in the kiln. Firing schedules are provided for using a single or a double layer of glass.

Getting It All Together
Tips for Making an Adjustable Tool Organizer
Design, Fabrication, and Text by Susan McGarry
Instructions for making a slotted 14" x 10 3/4" x 4" organizer from a wooden box and white corrugated plastic sheet. Pieces of the corrugated plastic are cut to size and inserted into slits that have been cut in the various pieces of plastic. The design includes 27 compartments for organizing various glassworking tools.

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